Category Archives: Music

Gay Cat Park? Sure!

Imagine being a 14 year old kid and discovering that the entire music world was changing around you. At 14, you wouldn’t really know the history or the reasons – all you would know was that suddenly bands like Yes, Emerson Lake & Palmer, and Genesis were on their way out, with a whole slew of synthesizer-based bands taking their place.

In 1979, two kids from Italy noticed this and delved. Bands like OMD, Human League and Depeche Mode were following in the footsteps of Kraftwerk, taking the DIY ethics of punk and creating an entirely new genre of music. And so like any 14 year olds with a dream, they got some electronic organs and modified them to sound like synths. They built their own rhythm boxes, sequencers and vocorder, and proceeded to write a handful of songs.

As time went on, they got some better equipment and refined the songs already under their belt. They released exactly one song and basically disappeared. By the time they were old enough to get into clubs, the new wave synth movement was gone. but that one song, “I’m a Vocorder,” became a sort of cult hit.

These days, the single is a collector’s item, fetching upwards of $150. Thankfully, Seattle-based Medical Records has reissued not only “I’m a Vocorder,” but seven previously unreleased tracks recorded by Gay Cat Park from the early 80s. It’s a limited release of 650 (I have #608) on clear vinyl with red splatters.

So how does it sound? Surprisingly good. The sound quality is great. There’s a bit of variation from song to song (as would be expected), but overall, you really don’t notice it.

The songs themselves might seem a little (and I mean a very little) derivative. These kids were in their middle teens and were influenced by what they listened to. But the integrity and enthusiasm of youth is there, just as much as it was there in the even more derivative ’88 NYC Hardcore scene. And that is more than enough to carry this entire release.

Sure, there’s elements of early Depeche Mode and some of the lyrical qualities of Kraftwerk – even a strange homage to Yazoo – but there’s enough of their own materialistic feel to make this sound unique.

“I am a Vocoder, I am synthetic voice
I am a very extravagant device
Into my box, there are a lot of things
But I will not, tell you about their means
I am a friend of the circulator, Which is in love of microprocessor
Is out of memory, for this silicons chips
But is no possible excange with them his bits”

I’ve probably listened to this seven or eight times in the past day and a half. You need this, but you better hurry up. It’s ridiculously limited and already going for $35+ in online reseller shops. Luckily, you can still get it from Medical Records. But seriously, don’t dally.

Please Inform the Captain that I Hate Myself on State Route 522

It’s rare to find good and cheap hardcore records that you meant to pick up when they were released, but just never got around to it. This past weekend, I found three. Well, two, but a third came along for the ride.

In 1998ish (right?) everybody and their mom was into the Excursion Records comp. Half of it was sort of pop punk, while the other half was screamy hardcore. One of my favorite bands on it was State Route 522. Ryan and I were just talking about them (and the comp), so it was with great joy that I found their 7″ at this used record market run by Sonic Boom (kind of) in the otherwise wretched Capital Hill neighborhood.

Right after finding that (and doing a silent little dance), I found a handful of I Hate Myself records. I Hate Myself was a super screamy band from Florida or something. Their first 12″ blew everyone away. Everyone. It was impassioned and brutal. Over the years, I’ve acquired what I thought was the rest of their discography (except for the Strikeforce Diablo split!). That is, until I found their three song 12″ from 2005. I had no idea at all they were still around in 2005 – nine years after their first release.

This one is a bit more mellow. It’s less screamy, but every bit as inspirational. I kind of love it.

The last thing I saw was… well, it made my day. My weekend, probably. In the hardcore scene, there are only a few people who attain demigod status. We’ve had our Ray Cappos, Porcells and Kevin Doss’s, but in with all of those is Mike Kirsch. He was in more bands than you can shake a stick at. Fuel (the good one), Fifteen, Navio Forge, John Henry West, Torches to Rome, and slews more. In 2000ish, maybe 2001ish, he played in the band Please Inform the Captain this is a Hijack.

With PICTIH, they combined solid hardcore with samples and funk (well, funk samples). It was a perfect blend and it quickly became one of my favorite records. Except that I never had a chance to get it on vinyl. I gave up, honestly. Most copies I’ve seen go for $30ish. That’s way too much and it deserves to be repressed a billion times over. So when I saw the album, I didn’t really think much about it. It was so far off my “must have” list that I didn’t even recognize it.

Honestly, when I saw the title, my mind switched it to another band – Plot to Blow Up the Eiffel Tower. A similarly named and somewhat similar sounding band. I like them well enough, but possibly not enough to pick them up on my budget.

I carried it around for awhile figuring that I would just put it back. But then, after about ten minutes, it dawned on me. “Wait!” I thought. “Is this….?” Oh.. oh it was. And for $10! I was even more stoked than I thought I’d be! Huzzah!

So it was a great day full of three great finds. I’m rather thrilled! Cap Hill, you ARE good for something.

Have Samples Will Travel – Where Did That Come From?

I uploaded a new mix not too long ago. Have you heard it? Give it a try. It’s a roadtrip mix with a slightly darker edge to it.

That darker edge comes not just from the songs, but from the samples I picked to wiggle around in between songs.

So let’s begin at the beginning.

The mix starts out with the opening fan fair from an American International Pictures movie. I wanted to keep the intro short. The last mix’s intro seemed to last through the first several songs. I liked that, but wanted this to be different.

I mixed together bits from Blues Brothers (“We’re on a mission from God”) and Faster Pussycat Kill Kill (“Let’s use the backdoor”). Over all of it is the opening to the Ramones’ “Rock and Roll Radio.” I think I threw in a few other radio samples as well.

Song: The Sonics – Have Love Will Travel

Song: Sparks – With All My Might
- During song: Dialog about hitchhiking comes from It Happened One Night

Song: Pink Floyd – The Gold, It’s In The…

-”Why don’t you say some righteous for a change…” from Oddball

Song: Naomi Smith – I’ll Take the Long Road

-”You won’t find it down there, Columbus!” from Faster Pussycat Kill Kill

Song: Martial Canterel – Windscreen

-Sample of train sounds taken from an old railroad sound effects record
-”You can’t beat the desert” from Vanishing Point

Song: Death – Where Do We Go From Here?
–During song: Most quotes are from High School Hellcats, but a couple obvious ones are from Faster Pussycat Kill Kill. “Don’t panic” is from Young and Dangerous. Car noises are from Gun Crazy

Song: Beach Boys – Long Promised Road

-There’s a collage of samples following. Most are from a weird little short about Utah, Desert Empire, while some are from a filmstrip for Mormons called “Man’s Search for Meaning.”

Song: Carter Family – River of Jordan

-”You must first understand your beginnings…” is from the filmstrip “Man’s Search for Meaning.”

-The next few samples are interesting. The ones that sound like a vocorder come from a Speak & Spell. The first ones you here are ones that I added. The words are: child, mother, terror, plague, scissors, heaven, butcher, believe.

This is overcut by what sounds like some crappy 3M documentary from the 70s. I’m not sure where it actually comes from, but it was in OMD’s “Genetic Engineering” from the start. I didn’t add these.

I also didn’t add the Speak & Spell bits during the OMD song. Those were originally there. The words used are: baby, mother, pastor, earth, preacher, judgement, butcher, engineer.

What happened was that I found audio files to a Speak & Spell emulator and tried to gather all the words used in the OMD song. I could only get about half of them, and so I added my own. I think both work quite well.

Song: OMD – Genetic Engineering

-Most of the clips that follow are from the Jonestown Massacre. The collage ends with Desert Empire

Song: Lost in the Trees – Walk Around the Lake
Song: Bruce Springsteen – Promised Land

-”Do you know that you’ve haunted me….” from They Died with their Boots On.

Song: Big Audio Dynamite – Rewind
-All samples during the song are native to the song, except “All white men are thieves,” which is from Winchester ’73, and the talk about a regiment, which is from They Died with their Boots On.

Song: Handsome Family – Loneliness of Magnets

-”That’s how come I don’t drive, see,” is from Repo Man.

Song: John Foxx – No One’s Driving
-Quotes during song are from JG Ballard’s Crash.

-Chimes leading into Anthrax are from Pink Floyd’s “Time.” There’s also some ticking from Anthrax’s “Persistence of Time” in there somewhere.

Song: Anthrax – Got the Time
-All quotes during song are from Faster Pussycat Kill Kill
-Song at the end is from Pink Floyd’s “Fearless.” It’s a recording of “You’ll Never Walk Alone.”

Song: Budgie – We are All the Sea
-Quotes during are from the weird and fun little movie Baby Doll

-The entire ending is ripped off from the ending of Baby Doll. I messed with the sound a bit (obviously), but that’s pretty much the whole thing. It’s a nasty way to end a mix, but this isn’t your typical mix.

And that’s pretty much it.

If you’ve got any questions, do let me know.

Here’s How You Can Clean Your Very Own Records!

A few years ago, I posted about how I used to clean my records. This was before I had the little gray box that I use now. Ryan is getting back into vinyl again and noticed that his records are all dusty and in need of a good cleaning. Since he doesn’t have a similarly magical gray box, I thought I’d share again how I used to do it.

First, you’ll need to get a few things.

- Five or six microfiber cloths. These should be pretty good ones. They’ll probably cost around $6 for a pack of three.
- A Carbon Fiber Brush. I suggest the one by Hunt.
- Paint Pads. You can get these in the painting section of any hardware store. They’re usually used for edging when you’re painting walls. They’ve got tiny bristles mounted atop a little sponge. This attaches to a handle. I got mine from Home Depot for $4 for a two-pack.
- 50/50 mixture of 91% (or greater) solution of isopropyl alcohol and distilled water. About 1/2 cup of this solution is enough to clean 25 records. Don’t use anything less than 91%. Also, distilled water is quite important.
- Drying rack. I use a wooden one that holds 25 records.

Let’s get started!

Two microfibers cloths have been placed on the cleaned table. The one on the left gets the dirty record. I clean the first side and then move it to the cloth on the right, clean side down, so I can clean the second side.

Here you caught me mid-cleaning. The green record’s side one has already been cleaned and is ready for side two to be cleaned. The pink record needs both sides to be cleaned, side one is up and ready for action!

First, I take a carbon fiber brush to brush off the dust. It’s much easier and better to do this while it’s on the turn table, but that’s not really an option here.

Not much pressure is needed and it doesn’t harm the record. However, if there’s more dirt than just some lint on it, washing it may scratch it, so make sure to dust!

Now that’s it’s dust-free, take the paint pad and dip it in the 50/50 alcohol/water solution. Now lightly brush the record. You don’t need to scrub or anything, just brush lightly.

You don’t have to use a lot of the solution, but more isn’t a bad thing.

Now I dry it off with another microfiber cloth. Again, be gentle. The cloth can’t scratch the vinyl, but if there’s still a spec of grit on it, that won’t end well.

Some folks then rinse the record with distilled water using another paint pad. I sometimes do this, but haven’t found it amazingly essential. Though it’s extra protection from that stray chunk of grit.

Now that the green record is totally finished and placed on the drying rack (to be shown later), I get the next record from the dirty stack and move the pink record to the second cloth, clean side down, and brush it and the new record with the carbon fiber brush.

Then clean again!

Dry dry dry!

And put it on the rack!

Wash, rinse (if you like), repeat!

See? That was easy!

Sounds of The General (Ripped from Vinyl!)

Those who follow this blog know that among my many, many interests is a fascination with both the Civil War and trains. Upon a recent outing to Sonic Boom Records in Seattle, I found both.

Records of trains sounds are fairly common finds. Due to their iconic nature, they tend to hover around the $10 per LP range. I like trains and I like records, but I tend not to pick these up. I feel kind of weird listening to train sounds in my living room.

I made an exception for this one put out by O. Winston Link Productions in 1962 (during the Civil War Centennial). It’s a 7″ (45rpm) record of the restored General, a steam engine made famous in the Great Locomotive Chase, a strange historical event that I covered here, in Civil War Daily Gazette.

The record itself comes in a gatefold sleeve and is loaded with wordy information about the historical event, the restoration of the locomotive and the recording.

There are five tracks in all, and you can listen below.

From the inside cover:

Side A
[audio:gen1.mp3]
High Fidelity recording equipment has been used to capture for posterity the sounds of the steam locomotive General just as they were 100 years ago.

Recorded here for the first time are the close-up tones of the hand-rocked bronze bell (the last steam locomotives used in the U.S. were equipped with steam driven bell ringers operated by a small piston next to the bell stand), the clack-clack of the hydraulic ram pump, and the distinctive throaty moan of the single-ton brass whistle, all part of the engine’s original equipment.

The final sequence, as the 107-year old General attacks a steep grade in Southern Kentucky with its one-car train, is an exciting combination of these historic sounds.

Side B
[audio:gen2.mp3]
Puts you on the General during a test run in Southern Kentucky on a branch between Lebanon and Spurlington. You are riding the pilot beam and you will feel the dripping water off the roof of the rough rock tunnel as the General passes through.

The final sequence takes you to Big Shanty, Ga. (no Kennesaw) 100 years after the locomotive was stolen by Andrews in 1862. This recording is typical of the welcome the General receives where ever it appears, an enthusiastic “Thank You” to the men of the Louisville & Nashville R.R. responsible for the tremendous task of bringing this old beauty back to life.

Remember to tack on fifty years to those numbers.

If you’d like to download MP3s of this record, along with high resolution scans of the outer and inner covers, you can do so here.

Today, the General is on display in Kennesaw, Georgia. It sadly is no longer in operating condition.

Have Love Will Travel – A Summer Road Trip Mix

To bypass my yapping and get the mix, click here.

I set about making this mix with a road trip in mind. Specifically, a road trip that Sarah and I will be taking next month. I wanted something that reflected the things and places we’d see along the way. Utah and the desert played a huge roll in that line of thought. As did generalities like the open road and people who we might meet along the way.

Well, along the way, I somehow got sidetracked.

The mix is still all about these things, but somewhere, somehow, it took a more somber turn. I’m not really sure when or what happened to make this occur, but the mix I envisioned was a much different thing than the end result.

That said, I really do like this mix. Though I wanted it to be happy and uplifting and it turned out to be somber and sort of dower, there is something in the thread that runs through it that perfectly captures the road.

Road trips themselves can be like that. You got into it thinking that it will be this amazing thing, but as you go, it starts to turn into something you didn’t expect. It’s not always bad – actually, it’s most often good – but the difference surprises you. And this surprised me.

The mix starts as I wanted it, as a sort of tribute to the teenage movies of the late 50s. Many of the samples that I used came from those (more on that in the next post). I wanted a theme song and found The Sonics’ “Have Love Will Travel.” I figured that it would work perfectly since they were from Seattle.

And I’ve always wanted to use Sugarhill Gang’s “Hot Hot Summer Day” in a mix. I even got to do a fun little re-edit of the song. It didn’t quite seem to flow with the idea of a road trip, but I figured that it set the scene. It’s summer, it’s the end of school.

I got farther off the course with Spark’s “With All My Might.” It’s not a road song at all. But it’s a clever song and I think it fits. I mean, it didn’t fit with my original idea, but as that began to slide into an idea all its own, the Sparks song slid along with it.

“Gold It’s In The…” by Pink Floyd is just a great classic rock song from an album stuffed full of similar songs. This is a road song about the journey, plain and simple. It’s a song about someone you’d meet in a roadside cafe or maybe you’d talk to while filling up the tank. He’s in it for the road, not the gold.

But Naomi Shelton’s “I’ll Take the Long Road,” is all mine. This is how I travel – physically and spiritually. I may not get there as fast as you, but I’ll get there.

I wanted this mix to utilize my ever-growing fascination for early 80s electronic music. Instead, I chose Martial Canterel’s “Windscreen,” a song that was recorded only a few years ago, though all upon early 80s analog synths. I wanted a song about the desert to lead us into Utah. I got that.

Getting lost in the desert is such a cliche, but it’s possible and very scary. Nobody can beat the desert. You can escape it, even live in it, but you have to respect it. The desert always wins. Los Angeles will figure this out soon enough. I know that “Where Do We Go From Here” by Death isn’t about any of that. But it’s easy to bend and shape things to seem what they’re not in a mix like this.

Especially when you bleed it into the Beach Boy’s “Long Promised Road.” Sure, the lyrics are a bit corny, but still pretty inspirationally foolish, when you realize you’re in the desert.

And in the desert is Utah. And in Utah is Brigham Young and the rest of his Mormon followers. You can’t touch Utah and not address the Mormons. They settled the place and built it what it is today. The history, however, is littered with all sorts of horrible and nasty episodes – but then, whose isn’t? Still, I do a bit of delving with the Carter Family’s “River of Jordan” (possibly my favorite Carter Family song) and OMD’s “Genetic Engineering.”

Following OMD, I drew a line connecting Brigham Young and Jim Jones. There’s some odd similarities going on there. Obviously one wasn’t the other, but maybe Jones could have had his Zion if things would have worked out better. “Those who do not remember the past are condemned to repeat it,” right?

This is all put to a stop by Lost in the Trees’ “Walk Around the Lake.” I picked this song simply because I wanted a song about a lake. Lyrically, however, I believe it fits with the motif. That said, where did the road trip mix go? Utah, I guess.

So we have to, once again, rely upon The Boss to bring us back on track. But getting back is more of a segue than an abrupt jump. “Promised Land” could be about Utah. In fact, that’s where it takes place. But instead of Utah being the promised land, as it was for Brigham Young, anywhere but Utah is the promised land in this song.

But out of Utah doesn’t mean out of the desert, and certainly doesn’t mean out of the West. And it’s strange for a wild west song from Big Audio Dynamite, but damn if they don’t deliver. With references to Custer and the cavalry, it’s like they watched “Die with Your Boots On” and then wrote a pop song about it. In fact, that’s where I nabbed the samples leading in and out of this one.

Just as it’s nearly impossible to make a road mix without Springsteen, it’s equally impossible for me to do one without the Handsome Family. Their song “Loneliness of Magnets” is, like a few other songs here, not really about the road. There is, however, a open West, even Native feel to it. Dreams and such.

I know that John Foxx’s “No One Driving” isn’t really about ghost towns, but it really does seem like the perfect song for living in a ghost town. Maybe someone you’d meet in an abandoned village would write this. Who knows? By this time, you’re tired and you’re thinking about home.

With those nasty thoughts of home come the nasty thoughts of all the things you have to do. Anthrax’s cover of Joe Jackson’s “Got the Time” perfectly captures that and the interplosion of “You’ll Never Walk Alone” is enough to remind you that there’s at least one other that feels the same.

“All at Sea” is a strange way to end this. But that’s how it ends. The road is the sea and there is always more to it. Road, if you are incredibly fortunate, is home.

Just click on the button and it’ll take you to another site. Click on the link to download and save the zip file to your desktop. Then open the zip file with WinZip (or whatever program you use to open zip files). Add to your MP3 library or burn it to a CD-R. Easy as pie!




Technical Information:
Media Used:
Vinyl LPs from my personal collection.

Hardware Used:
Turntable: Audio Technica PL-120A
Cartridge: Shure M97XE for 7″
TCC TC-750LC Phono Preamp
Soundcard: Roland Edirol UA-1EX USB external soundcard

Software Used:
Audacity 1.3.13beta on Linux Mint 13
-Digital recording from soundcard
-Editing and splitting of tracks

Gnome Wave Cleaner 0.21-05
-Manual and automatic click/pop removal (used very sparingly)

SoundConverter 1.4.4
-Converted WAV to 320kbps MP3

Roger Waters – The Wall! Key Arena, Seattle

Before leaving on our trip this past weekend, Smartz and I saw Roger Waters perform The Wall in Seattle. The venue wasn’t quite as big as the Tacoma Dome, where we saw it last year, but the second time around was pretty amazing.

Thankfully, they allow cameras and I got some fairly good shots.

In the Flesh?

...of a million tear stained eyes...

We don't need no education!

Hey! Teacher! Leave them kids alone!

Mother should I trust the government?

Relax, it's just a little pin prick...

There's one in the spotlight, he don't look right to me!

Run like hell!

All you have to do is follow the worms...

Stop! I want to go home...

Go on!

Tear down the wall!

Outside the wall...

Amazing show. If you get the chance, see it.
Here are more pics…