Category Archives: Televison

It’s the Third Season of Little House on the Prairie!

We’ve been watching Little House on the Prairie on and off since July. It was sort of done on a dare. My friend, Jeff, told me that Little House was crap television. I figured that wasn’t true, but had to find out for myself. Sure, I watched this a bit as a kid, but it was sporadic and I remember pretty much none of it.

I knocked down the first and second season a while back and just a couple of days ago finished the third.

The first thing I noticed that was different in season three was a slightly changed theme song. It had a bit of country swing to it. I’m not sure if it sticks around into the future seasons, but honestly, I didn’t care for it.

Country legends, Johnny Cash and June Carter Cash (as well as their son, John Jr.) appeared in the first episode. Johnny played an ex-con who tries to swindle Walnut Grove out of money by posing as a man of God. Thanks to Pa and the good folks of the town, the Man in Black sees the error of his ways. He sings a couple of songs too, but surprisingly not in a cheesy way.

That’s one of the strong points of Little House. It somehow manages to not come off (too) cheesy. That’s surprising since it aired in the 70s. Even episodes like the Halloween-themed “The Monster of Walnut Grove” didn’t amp up the cheese factor. Sure, it was a little far-fetched, but I never felt cheated.

Johnny Cash wasn’t the only guest star. Todd Bridges (later played Willis in Different Strokes
) plays Solomon, a runaway black kid who wants Pa to buy him. He didn’t really get that slavery had ended (and this still didn’t come off as cheesy!). Willie Ames (from Charles in Charge) plays a racist kid who doesn’t like the “Injun Kid.”

We often joke about how the random school children change from episode to episode. As is natural, we riff along with Little House quite often. My favorite riff is saying “Who the hell am I?” whenever the featured character is some new kid we’ve never seen before. That’s often followed by regular characters asking each other “Who the hell was that?!”

This clearly isn’t a series that builds upon itself (like most hour-long dramas today). Some episodes span only a day or two, but others span a season or more. It’s a bit difficult to understand how the Ingalls could do all of these things over the course of one television season, but if you don’t really get too wrapped up in it, it’s no big deal.

With that said, there’s some continuity from episode to episode. Pa’s shirt that he got in “The Blizzard,” a Christmas episode, makes several appearances throughout the rest of the season. The third and forth episodes are about Bunny, Laura’s horse. The DVDs get it wrong, switching the running order of the only two episodes that really rely upon plot continuity to make any sense.

That brings me to the DVDs. Whoever released these did it on the very cheap. The original series was filmed on 35mm film stock (like a movie). Instead of transferring from the original, uncut film, they used the heavily edited versions used by TBS and transfered from worn out video tapes. Often the color is off and it looks like you have to adjust the tracking on your VCR (except that this is DVD). The edits are the worst as they usually cut off a scene in a really unnatural place. Why the producers of these DVD sets chose to do this was probably financially driven, but what a horrible mistake.

The season ends in a strange way. The Ingalls and the Edwards pull up stakes in the spring and move to Deadwood for a gold rush. They don’t really want to, but it’s been raining a lot and they’ll never get their crop in the ground at this rate. Deadwood turns out to be a pretty nasty place with murders and prostitutes, so at the end, they leave. It’s not clear if they’re going back to Walnut Grove – so where will they end up in Season Four?

I guess that’s the best we’re going to do as far as a cliffhanger goes. I’m ok with that. If I wanted a cliffhanger, I’d watch Lost or Dallas or something.

Season Three is all about really bad things happening to the Ingalls. First, three bullies try to take over the town, then everybody nearly dies in a blizzard. Carrie, the youngest mouth-breather, falls down a mine shaft and then everybody nearly dies again from “the fever.” Mary nearly dies from an intestinal infection and Laura shoots Pa and he nearly dies alone in a broken down cabin. Nobody seems to notice that Pa, Ma, Laura, Mary and Carrie are really bad luck. In fact, Pa saves the day on a regular basis. Each of the episodes are fun, a little far-fetched (but not too much) and touching.

Three seasons down and I can conclusively say that this isn’t crap television.

Little Black Star on “The Prairie” Season Two

We only tackle two TV shows at a time. For awhile it was Buffy the Vampire Slayer and Angel (watched in the order in which they aired – we are that geeky). But after the end of Buffy, we decided to pick back up where we left off a few months ago: the little Minnesota town of Walnut Grove.

The IngallsWe somehow squeezed the first season of Little House on the Prairie between Buffy and Angel seasons. I wrote about it here.

While the first season picks up with the Ingalls Family moving to Walnut Grove, the second season just sort of picks up from no where. This isn’t really a bad thing, of course. A lot of these episodes are “timeless” – some cover weeks or even months. This was the 70s and TV time didn’t really exist yet.

Like many shows of this era, we see characters that are centrally important to specific episodes that we’ll never ever see again. There’s the mean ol’ widower in “Haunted House” who Laura befriends. They apparently walk by his house to and from school/town every day. This is the first and (probably) last we’ll ever hear of him.

Ma & PaBut there’s also a strange continuity going on too. The town is growing and therefore must be populated with new, reoccurring characters. The season opener features a new bank run by Ebenezer Sprague, a real hard ass to everyone. Nobody, not even that nasty Mrs. Oleson, likes this fellow. But Laura befriends him (she didn’t know he was the banker) and teaches him a valuable lesson.

Some of the episodes are real duds, for sure, but this season gave us some real classics too. “In The Big Inning” is a baseball episode that pits Walnut Grove against the mean and nasty town Sleepy Eye (sort of The Grove’s very own Shelbyville – though the Sleepy Eye team wasn’t called The Sleepy Eyeians). “The Runaway Caboose,” which features Laura, Mary and a neighbor boy aboard a runaway caboose. I’m a big railfan, so I was very ok with this train-based episode (it was the same train as in Petticoat Junction!).

Mr. EdwardsOther series-changing classics would involve the Mr. Edwards/Grace Snyder story arc. Edwards thinks he just wants to be a loner, but Grace has fallen in love with this big furry cartoon man. However, when Oscar-winning actress Patricia Neal’s guest character learns that she’s dying, leaving three kids to be split up, Edwards trusts his heart and asks Grace to marry him so they could have an insta-family. The whole two-part episode was a tear-jerker.

The end of the season featured a string of guest stars. From Lou Gossett Jr in an episode about racism and transporting blasting oil to Richard freakin’ Baseheart as a mean ol’ teacher. Throw in a young (but not nearly young enough) looking Richard Mulligan as a Civil War vet and Theodore Bikel as a Russian imagrant telling us how great America is (this was the “Centennial” episode about 1876 that aired in March of 1976, just as the hoopla of the bi-centennial was getting started.

Season Two ends with a tornado ruining all of the Ingalls’s corn crop and leaving them with nothing. Pa decides to sell the farm and move back to The Big Woods (Wisconsin). If this were being made today, it would be a cliff hanger, but this isn’t Lost or even Dallas, this was a nice little show about a nice little family in a nice little town. We get episode-to-episode resolution. That’s not a bad thing, really. I’m glad that this isn’t serialized.

The Mouth BreathersContinuity is important and is definitely there. But story arcs last pretty much one episode each. We do get a bit of foreshadowing here though: in the second episode, Mary needs to get glasses.

As each episode begins, we try to predict how it will go. You’d think that a series such a Little House would be amazingly predictable. Strangely, it isn’t. Not that there are freaky twist endings or anything, but it’s just not. Sure, the kids are rescued from the runaway caboose and the Ingalls keep their farm, but nobody (not even the racist guy) died transporting the blasting oil and why wasn’t Pa sorry when he punched the guy on Sleepy Eye’s baseball team? Many episodes left us wondering “ok, where are they going with this?” only to take us on a (sometimes very) long walk.

Next season promises more thrills and more guest stars (like Johnny Cash and Willie Ames!!!), but it will also be Mr. Edwards’s last season before a nearly five year hiatus. We’ll be starting that soon enough – we have to finish the fifth season of Angel. We’ll probably start Twin Peaks to watch along side Little House – you know, because that’ll warp us in lots of fun ways!

In defense of Little House on the Prairie

We just finished up the very first season of the TV classic Little House on the Prairie. I’ve been wanting to watch this for years now and have finally gotten the chance. There are 10 seasons, this is the first.

Little HouseA couple of weeks before we started with the first episode, I was told in no uncertain terms that this was crap, that the entire series was horrible. I nearly took it as a dare and immediately rented it.

You know the basic story, everyone does. Set during “the [post-Civil War] pioneer days,” Ma and Pa Ingalls move to the small town of Walnut Grove with their three kids, Mary, Laura and Carrie and try to make a life for themselves. The town is quaint and life is hard, but rewarding. Repeat with variation for about 200 episodes and you’ve got your show. Sort of.

The FamilyOne thing you don’t think of when you do think of Little House is “surprise.” You think that it’s a quaint little show, that whatever trivial problems that arise in the first act of each episode are cleared up and back to normal by the time the end credits roll and that everything in between is predictable and white-washed.

What surprised me about Little House was that it was often unpredictable. At the beginning of each episode, we’d try to plot out the fates of each character. Sometimes we’d nail it, but usually there would be an odd (in a good way) turn in the storytelling. This was always appreciated and earned my respect in even the really hokey episodes.

Ah yes, while it’s a great show, there was some hoke. It was the 70s, hoke had to be inserted or penalties would have to be paid. The hoke mostly came in the still-quite-likable character of Mr. Edwards, Pa’s best friend.

Mr. EdwardsSee, Mr. Edwards is a load. He’s sort of a wanderer who does odd jobs and lives, first in the Ingalls’s barn and then random other places. He truly loves the Ingalls Family, but mostly he is a very enjoyable and one dimensional cartoon character.

But even he has a bit of complexity to him. Everyone on this show does. Nobody, not even Pa, always does the right thing. They, like most folk, always mean to, but sometimes come up a bit short.

There are no truly “evil” people on Little House. Even the racist law man hunting down a Sioux and the alcoholic father who beats his kid deserve redemption.

Ohh the EVIL Nellie Olsen!The only people who are never really redeemed are Mrs and Nellie Olsen, the arch nemeses of Ma and Laura. Their fun rivalry peppers the show and provides some of the subplots, but it never drives the story.

So what does drive the story? Mostly the desire and then the attempt to do right. It’s not good enough for your heart to be in the right place, you have to put up or shut up. If I take one thing from Little House, it’s that. You can wish and dream that what you want will happen, but without putting your shoulder to the plow (in this show, that’s often literal), it’s all but pointless.

It’s not that I don’t have some complaints about the show, but mostly those are the fault of the 70s. Continuity wasn’t a real big issue for TV shows then. Some things stuck around from one episode to another (like the bell that was made for the church), but other things, mostly guest starring towns folk, did not.

Ma and PaOne thing that was never really made clear was just how many people lived in and around Walnut Grove. With nearly every new episode, we met a new character, which shouldn’t be surprising since this was a pioneer town with new people moving in all the time. But by the next episode, they were gone. Some came back later, like Johnny Johnson, and some became regular characters, like Mr. Kennedy. Most were never spoken of again.

Most shows (even today) try their best to match up the season in the TV show with the season in which it aired. If it’s Christmas in real life, it’s also Christmas in Walnut Grove. They did this a bit with Little House, but more often than not, the episodes encompassed a very long time frame. One two-part episode takes place over the course of ten months.

CarrieThough we do thoroughly enjoy watching it, that doesn’t mean we can’t riff on it. The 70s production values alone provide much fodder. But what gets our goat most is the youngest daughter Carrie. She was probably three or four during the first season and speaks very little. But when she does it’s loud, completely incomprehensible and annoying. We’ve developed a running gag of when the family is in trouble, there’s always the option to kill and eat Carrie. Except in the episode with the racist law man. I was out for blood. Even Nellie Olsen is tolerable, though there are times when I wish that Laura would just punch ol’ Nellie right in the nose!

Little House is, of course, a simple show. It really is good, wholesome, family entertainment. Still, there are some “hidden” bits within that hint of something a bit stranger. One episode, directed by Michael Landon (who played Pa), featured a saloon in which there was an automatic player-piano (the kind that play themselves). At the piano sat a piano player, staring at the keys, not playing, not pretending to play, not moving. He just sat there. The piano player wasn’t focused upon long as the action moved to another section of the saloon, but he caught my eye. In a later scene, they end with a shot panning back to the piano player, still sitting at the piano that now plays itself. He still isn’t playing or moving, but this time he is silently crying to himself.

That, folks, is brilliant. David Lynch wouldn’t be pulling off stuff like that until the next decade. Who would have thought Little House would throw it in there?

And I guess that’s why I like the show. It’s not bad TV, it’s not horrible or even predictable. It’s a good show with good writing about a time in our history that was both harder and easier than the life we now lead. It makes us thankful for today, when we have all that we do, but also a little wistful for the price we had to pay to get here.

Kings is dead, long live Kings!

I doubt anyone has watched it aside from me, but the NBC show Kings starring Ian McShane was some of the best television I’ve ever seen.

What’s strange is that at first. the premise seems silly. It’s a modern retelling of the Biblical story of David. Everything is modern, except for religion and a very theocratic society and monarchy.

Ian McShane (Al Swearengen in Deadwood) is brilliant as King Silas (King Saul in the original). He plays the not-quite-evil King perfectly. I could watch McShane act all day.

The story starts out with David, a soldier in a war against neighboring Gath where he single handedly (with a grenade) defeats a Goliath-Class tank after saving King Silas’s son Jonathan. Sounds pretty hokey, eh? Strange thing is, it’s not.

It all could have very easily spiraled down into some courtly soap opera, but it doesn’t even come close. The writing is far too good for that. McShane is miles above it.

Let me be clear on this – this isn’t a preachy and hokey Christian movie like Left Behind. This is (was?) classically done. This is the thinking-man’s Biblical retelling. How this ever ended up on network television is beyond me. HBO or Showtime would have been much better suited for such a show.

But it’s over now. Nobody watched it – NBC scheduled it away, advertised it horribly (a butterfly ad during the Super Bowl?!). It’s not officially canceled just yet, but it’s not looking good.

Kings started off very well and just got better. By the last handful of episodes, it became some of the best television I had ever watched. This comes highly recommended. Maybe it’s not for everyone, but if you liked Deadwood, you’ll like this.

Thankfully, you can watch every episode on Hulu and I strongly suggest you do. There are 13 episodes, all worth seeing (in order, of course – start with the first).

The DVDs come out in September.